Halloween House

Halloween House

Last weekend I was coming back from Ft Wayne Indiana and I had taken a route that would take me through several small towns, one of them being Waterloo Indiana. I

had just come off the freeway and was going through the center of town. Suddenly I saw an amazing house decorated for Halloween. There was a large assortment of stuff including large stone gargoyles an iron fence and even a hearse. All of this I took in at a glance as I was driving by, it was getting dark but I decided to round the block and take a closer look (Shoot Where You Are).

I found a little place to park near a garage/workshop and walked toward the house looking for someone that I might talk to. The garage itself looked interesting as though a tinkerer and collector of odd bits and pieces was in charge. I saw a man working on a car beside the shop and said hello. The guy popped up from his work and said hi, he looked like he could have just stepped off of a movie set, something like “Back to the Future”. He was very nice and said that his wife had put the display together. He had just purchased the hearse, and that also became part of the project with a theme of “don't text and drive”. His wife soon appeared and was more than happy for me to make some images and take the grand tour. The hearse was the first stop, they were still adding some final touches and signage about texting and driving. She told me that several teens had stopped by and told her that it was a cool idea and a good way to make a point about texting.

There was a number of common Halloween items but also a lot of quirky odds n ends, antiques and handmade props. The place was really interesting and also did not have any really graphic items, I would think 8 year olds and up would be OK with it all.

I don't really do scary stuff and I am no fan of most of the horror stuff out there, monster movies yeah, horror/slasher/antisocial..nah. All in all it was fun and I had a nice talk with some genuinely nice Halloween fans!

I am still (a kid)

And The Winner Is...

And The Winner Is...

Well first I would like to thank everyone again for coming to Once Upon A Paintbrush for the reception, and for all of the likes and shares on Facebook and also for checking out my blog and website. It is very nice to see the likes and especially the comments. Facebook can be kind of fussy to work with when you have a couple of pages tied to your name, so you may have seen some duplicate posts on the same page, who knows it may happen again.

Now for the winners, I can not really call this a first and second place, it was more of a first and second idea that we decided to do at the end of the reception.

The winner of the B&W metal float print that was at the reception is Stefane Widney!

And the winner of the framed flower print is Gina Smith!

Stefane and Gina can contact Cassandra to pick up your prints, And if we are lucky we can get a picture of you both.

The cat is officially out of the bag now so if anyone talks to Gina or Stefane you are free to let them know if they haven't found out already.

Here are the links to our pages/sites

https://www.facebook.com/OUAPaintbrush

http://www.michaelarend.com/

http://michaelarend.blogspot.com/

https://www.facebook.com/mikearendphotographer

The Name Game

The Name Game

The night before the show/reception at Once Upon A Paintbrush  Cassandra reminded me that I had not

titled the image of the tree and canoes. I still really had no title in my head other than “Waiting For Summer” which was a little close to the title for the heart in the stone wall image. It was getting late and we were getting a little silly and started batting around some caption ideas. I forgot to mention that the musicians were also at the gallery, doing a rehearsal for the next evening. Samantha, one of the musicians had several ideas, each of them we all thought were amusing. Everything was a little amusing to us at that point, and there was absolutely no alcohol involved. Suddenly it was suggested by someone that we just put sheet under the print and let the guests come up with titles during the show.

So away we went with that idea and it turned out to be lots of fun and a way for the guests

to be engaged with the image. The list grew to almost 2 pages during the show, with titles and the names of the namers...namers, yes it is a real word.

Here are the titles that everyone came up with, not in order and without the namers names. See if you can remember your own suggestion(s). Leave some comments if you can remember. 

You are also welcome to join the fun and come up with more titles!

Just put them in the comments.

Waiting

End Of The Season

Adventure Awaits

Tranquility

Watchful Giant

Guardian

Unknown Adventure

Deserted

Let The Journey Begin

Until

On Another Day

Peace Be With You

Fall Into Another Season

An Unseen Beauty

See You Next Spring

The Barren Voyage

Tucked In

Grey With Turquoise And More Grey

I Stand In Solitude And Wait

Winters Rest

Gone With The Leaves, And Some Canoes

Until I see You Again

Seasons End

No Cats

Under My Wings

A Season Not The Seasons

Ghosts Of Summers Past

I Dare You!

There Is Hope

Want To Canoe?

Darkness Falls

Gone

Season Of Rest

I wonder if some of you were thinking of titles when you got home and you were trying to go to sleep! If you were let me know.
Also you can  like  Michael Arend and Once Upon A Paintbrush on Facebook
And if you see this on Facebook take a look at my blog and website.
http://michaelarend.blogspot.com/ 
http://www.michaelarend.com/
https://www.facebook.com/mikearendphotographer?ref=hl
https://www.facebook.com/OUAPaintbrush?fref=ts 

SAILING to the Red Wall

Two weeks ago on a Saturday afternoon after several snags, snafus and sidetracks I was finally able to deliver six large prints to Once Upon A Paintbrush, the gallery in Bryan Ohio that is featuring my work in a show that officially starts October 5, 6-9 PM. That day I also made some promotional images for the gallery and show.

Before the shoot, we were caught in one more snag, there was one print for the show that hangs vertically. When we unwrapped it, and turned it over it was set up to be hung horizontally. Ouch it needed to go back to the framer (who at this point I will not name) in Ft Wayne Indiana. 

We did the promo images some of which can be seen on my Facebook page ( https://www.facebook.com/photo.php?fbid=10151830005252370&set=a.55218602369.62158.608802369&type=1&theater )and also the page for Once Upon A Paintbrush. ( https://www.facebook.com/OUAPaintbrush )By then we were tired and I decided to run the print over on Sunday.

On Sunday, the print took a trip to the framer, and then back to the gallery, problem solved! When I arrived Cassandra (the owner) was at her easel working on a commissioned piece and talking Jennifer, one of the musicians that will provide music at the show opening. Jennifer plays Classical Guitar, and I noticed that she had a cool, jade green, form fitting case for her instrument. We rechecked the print one more time, and talked about the piece that Cassandra was working on. Then it was time for me to get going, or so I thought. Well I did leave, at least for a few minutes. As I drove away, I spotted a burgundy colored wall about a block from the gallery...

It was Shoot Where You Are Time!

My mind is always going, making connections, imagining things. So I pulled into a little parking lot by the wall and looked around for a couple of minutes. Hmm, cool green case, burgundy wall, little green tree growing against the wall ( it may have been a big weed ) and of course the musician. Back to the gallery I went at a good clip. Cassandra and Jennifer looked at me a little funny when I walked back inside. Then I told then about the wall and asked to borrow Jennifer, her guitar and case, oh and one of the chairs from the gallery. They thought it was a great idea. Maybe Jennifer didn't feel comfortable driving over with this nut that she had just met, so while I loaded the chair into my vehicle she started walking the short block to the wall. I was about a minute ahead of her so I set the chair along the wall and had Jennifer sit down with her guitar while I set the green case in position and let my imagination show me where I might go. It was fun, and about 300 shots later Jennifer was walking back as I loaded my gear and the chair for the 32 second ride back to the gallery. I dropped the chair off, thanked them both and really left this time.

So now it's time to explain the title of this post, Sailing to the Red Wall. Shooting where you are is easier when you practice a few basic habits.

Stop              where you are at, be willing to change your plan.

Ask               for a picture, or to get permission to shoot somewhere.

Imagination   use it all the time it's better than texting or TV.

Look             for subjects all of the time and everywhere you are.

Now you know how to sail to the red wall.

I am still (a kid)

Turn On The Lights

If you are reading this post, and if you are like me you are most likely on some type of digital device with a glowing screen, a PC, a tablet, or maybe your smart-phone. Our screens may be three inches and we are scrolling to see everything bit by bit. If we have a tablet or laptop we can see more stuff at once, it's better and still very portable. Or we could have a desktop monitor and lots of screen space.

We are also seeing hundreds, more likely, thousands upon thousands of images, pictures of family and friends on Facebook and places like that, news and entertainment images, and of course the ever present advertising images. Oh and I forgot the artistic stuff, paintings, digital art, photography, and images of things like sculpture to mention a few. And we get all of this on TV also. The stream of images seems almost infinite these days. For most purposes it is infinite! We can not hope to take it all in even at the high speed at which it is presented. The images whiz by, pop up, pop down, fade in, fade out, and crawl across our screens. They come they go, like so many people in a hurry, they seem to push, rush, take cuts in line, all impatient to make an appearance. Then they are gone, replaced by the next and the next and... few have made much of an impression.

We shut off the phone, the PC, the TV and BLIP they're gone.

They were real, for awhile, in their own way I guess. Now I sit here with you, sort of, in a odd reality. I am communicating to you, or maybe with you in a digital time lapse, about images. I think images are much more enjoyable and meaningful when they are real, when you can touch them or see them in a more permanent context. Galleries, museums, and art shows are great for that. I was at a show a recently talking to a photographer when a gentleman who was looking at some images of Italy suddenly exclaimed “I know that place, my wife and I were there on vacation and she got lost!” He ran off to get his wife so she could see the photograph. I hope they took it home, put it on the wall and discussed who really got lost with their guests. Physical, tangible art is like that. It enriches our lives and homes day after day.

We can turn off our lights... and BLIP, when we turn them back on hey our art is still there.

I am still(a kid)

How Did I Get Here?

The other night when I was searching my images for the red fabric

image that I wanted to show you for the previous post, I came across a red barn that I shot in the spring of 2008.

I had been waiting for a day that the light was hitting it from a good angle. I also wanted to have some sharpness and color in the foreground so I was shooting wide angle with a small aperture. I started noodling around with it last night trying to get a look that I was happy with. I was taking the image back and forth between Lightroom and Photoshop, trying to develop a unique image. I had made a couple of copy layers and blended them and desaturated everything except the barn and small tree. Then bla bla bla and then bla bla bla I was getting close but had not arrived at the place I wanted to be. I am not real keen on one shot methods to get to a finished picture. I often take a lot of twists, turns and detours to get where I'm going with an image. And very often I keep several (work in progress) variations that I like. My dad said I always took the hard way...but that was mostly in mathematics and I always seemed to have the wrong variations in that area. Finally as I drove around the block for the umpteenth time looking for somewhere to park my image I spotted a little place that looked great Time to stop here!

I am still(a kid).

Red Satin Hats

The idea of “Shoot Where You Are” for me, has a bunch of connected thoughts and perspectives that I want to explore and explain in some of my posts.

When I was about four or five years old I had a red satin hat that I used to put over my eyes. I always like looking thru things like colored paper, leaves, dishes, my Frisbee(which I could not throw properly). The red hat was the best of them all! I think it was quilted, the top was probably two layers sewn together with white on the inside. When I stood in the sun with that hat on my face the color was the coolest and brightest red that you can imagine. Then, my face would get too hot under there and my viewing would be cut short. There I was, a five year old kid with his hat on his face instead of his head. But hey I was standing still and not in some other mischief, mom was ok with that.

So that interest in seeing light glow though anything continues. Big things, little things, it doesn't really matter. And it doesn't matter where it is if you are ready to look and shoot and imagine.

I was at COSI (a fun science place http://www.cosi.org/ ) a few years ago and saw a piece of RED material hanging near a display. It had light shining through it.

I still am(a kid).